Mr. Maxx Moses’s latest series of posters/prints are now available
The Wall Series consists of 3 murals painted in Southern California from 2008-2013. While the Pen & Ink Series, are past and recent artworks done on illustration board.
These 11×17 prints can be purchased at $25.00 for your choice of three… and can be shipped anywhere in the United States for only $5.00 shipping!
I’ve recently be invited to participate in this project numerous New York based Artist artwork will be displayed in a mobile art gallery which will be featured at various art and food festivals around New York. The mobile art gallery will also be used to sample DiLusso products at various deli markets while consumers walk through and view your piece.
The idea was to Create a painting that inspires you most about living in NY? It’s food, art, culture? My piece is titled “Food For Thought”
Food For Thought is a mixed media painting infused with collaged images of Hip Hop icons natural foods and of course the flow of Maxx Moses. This painting is inspired by the Hip Hop music of 80’s 90’s and early 2000’s. At this period in time the New York Emcee was a verbal chef, cooking up soulful platters of lyrics as “Food for thought”. This Boombastic sound blasting from night clubs, block parties and pimped out rides, nourished our appetites like tasty treats, while the content always kept us hungry for more. More beats more rhymes and of course more style. This original style, birthed in New York City influenced Fashion, Art Music and Dance World Wide.
For me this is what made New York special.
A weekend of groundbreaking Art
This weekend Words Beats & Life put out a call to Artist to create the largest public art in Washington DC. Many Artist from DC and the surrounding area’s came out to paint the ground and the walls. Fortunately I had some help from a group of students and the dude Vise Versa to help make my section complete… I get by with a lil help from my friends!
This April I was invited to attend the Graffiti Fine Art exhibition in Sao Paulo, Brazil. I was extremely excited about going but seemed as if I wasn’t going to make it. Obtaining a visa to go to Brazil seemed nearly impossible. Fortunately some last minute strings got pulled and I was on my way.
The trip from the Airport the Museum was everything I imagined it to be. Sao Paulo is a huge metropolitan city smothered with Graffiti and huge colorful murals all across the buildings and highways, everywhere you looked there was art. It was crazy inspiring right from the start.
When going to Brazil people always talk about the beautiful women that you will encounter and yes there is a plenty. The added feature of Brazilian’s in general is their warm spirits, and the affectionate way they interact with one another. This is contagious and heart felt.
The entire experience was enriching and for the first time in my life I was greeted as a Master. I really didn’t know how to respond to that title and still don’t take it too seriously because I know I personally have so much more to learn and this new generation of artists works far surpass what I’ve created. So there I was creating some futuristic Mr. Maxx Moses type funk and the next day Binho, (the event Organizer) was like yo Pose can you do some letters, a classic Pose 2 piece? I was like sure no problem and this is what the people in Brazil really gravitated to. I was like dam; really I did that piece in a few hours. That quickness, my history coming from New York and the longevity of nearly 40 years in the game they appreciated and connected with… this they deemed Masterful.
As I begin to travel the world November 2014
I learned some valuable lessons preparing for a trip abroad. Look at the map before you travel there may be some interesting places you want to visit and may never get that opportunity again! That’s exactly what I did when I learned I was going to Lebanon. I looked at the map and there it was Egypt the trip I’ve always wanted to take. Although I didn’t paint while I was there I did a lot of sketching and internalizing along the Nile Valley.
Lebanon the trip to Tripoli
This journey began with an invitation from Mazi, of Words Beats & life, to venture across the planet to Tripoli, Lebanon and teach a Graffiti workshop and paint a mural. Mazi was like yo Maxx you want to go to Lebanon… I was like word lets do this! I’ve had the pleasure of collaborating with Mazi a number of times this year and each experience gets richer and deeper. However we wouldn’t be alone this was a crew mission and the goal was to stimulate Cross Arts, a Hip Hop organization within Tripoli by providing them of the raw pure energy found within the elements of the Art form we love… Hip Hop. Essentially our mission was to inspire their of community, that they may propel their art and organizational skills to a higher level of creativity. So Mazi organized the All- Star team including Hodari B. Davis, Producer at lifeisliving.org, (Spoken Wordsmith) along with, DJ 2-Tone Jones, (Musician), Geoffrey Chang aka, Toys aRe Us (B-boy) and Javier Starks, (Emcee) and of course Asad Jafri, whose attention to detail, personal style and overall organizational skills was the perfect fit.
On November 6th I arrived in Beirut, Lebanon greeted by Mazi and Hodari at the hotel. We were all tired and hungry but our conversation was super rich and super deep… Hodari B. Davis is just that kind of brother you instantly bond with.
The next day we met with the organizers/sponsors of the trip. Prior to going to Lebanon there was security briefings that would have made the non-seasoned traveler totally change his mind about this trip to Lebanon. Even those I told about the trip were like word you going over there? That’s crazy! All I remember my Dad saying to me was “son pray… pray a lot before you go over there.”
“A lot of people have bucket lists in their lives, I just kick the bucket and live.” While looking at the map of Lebanon and the surrounding areas I realized two things. One, I was traveling to some ancient historical areas what used to be called Mesopotamia. And Secondly Egypt was only 1:30 minutes away from Beirut. My spinal cord electrified when I knew it was now time to travel to the land of the Gods and Goddesses, my ancestors.
Creatively, for this trip I wanted to return back to my roots, lettering/Graffiti the art of writing your name, for two distinct reasons. First and foremost I wanted to leave a remnant of my style in that part of the world for the youth to see learn and grow from. Secondly I wanted to pay homage to the art of writing, and the God Tehuti the creator of such.
After the meeting it was off to get some paint in preparation for Tripoli. We were guided to a spray paint store in Beirut, that happened to be the official MTN distributors in the country. Oras and Wyte greeted us like Kings; we purchased a grip of paint and headed off to Batrun, Lebanon for the Words Beats & life/ Cross Arts seminar.
Upon arrival we were enthusiastically greeted by the entire crew from Cross Arts, they were so excited to have us come to their country I could hardly put my bags down. The painters were anxious to show me their works and paint together. But we were hungry and travel weary… where’s the food? Seamlessly we were ushered to the elaborate dinning room accompanied with a spread of delicious vegetables, hummus, breads, shish kabob and fruits, pure lebanease style… and of course we smoked shisha after that.
The Next several days were purely dedicated to exchange, ideas cultural differences and particularly the Arabic lettering styles. Our group was challenged to take an even closer look at our approach as artist from America. I didn’t want to give the idea or impression of a Christian Missionary, coming to tell you that all of what you are doing is incorrect so adapt to my way of doing things or your doomed! I simply wanted to dialogue with them on a creative vibe so we could truly learn from each other… and this we did to the fullest.
Thank you Jennifer J Jones, Phyllis Kloda and Jamie Beers, for skillfully guiding my journey back to SUNY Brockport, a dream come true. For many years I reflected upon my student days in upstate New York, the cold snowy winters, colorful fall leaves the Erie Canal and all the people I grew with. This environment provided me with solace and the opportunity to develop my Art, Business, Spiritual and Political endeavors. However I entered Brockport fresh out of Yonkers, a renegade and a rebel destine to make my mark upon the world, and there was only one way to do that… My Way.
I’m not ashamed to mention that during those cold winter nights I would sneak into the Fine Arts Tower and paint huge full color pieces of my name in the hallways, and how this resulted in me nearly getting expelled from school! And how 32 years later Pose 2 is the feature story within the Brockport Kaleidoscope Magazine and invited to back to lecture and paint murals… What a transformation?
In 2012 OSAD, the Organization for Students Of African Descent had its reunion gathering on campus. This is when I was introduced to Phyllis Kloda, who at the time was the Chairman, of the Art Department. I shared my story with Phyllis of illegally painting the Tower and as she listened we walked down the hallway and she introduced me to the work of Nate Hodges, who’s art is painted all over the Fine Arts Tower stairwells. I thought to myself wow this is amazing, I was so pleased to see that someone was painting on the walls and now it was being encouraged and supported. It was a surreal moment, I literally felt the spirit of what I had done 30 years ago reconstituted in another space and time. I was so impressed with Nate and what he was doing I left a small note on his easel, “ keep rocking Bro”.
For 2 years Phyllis and Jamie worked diligently fund raising and orchestrating my return to Brockport. Finally in September 2014 our vision came to fruition. The goal, create 3 large- scale murals with 7 students and 2 Alumni within 3 weeks and also present a workshop for the Diversity Conference. The idea was ambitious and I knew this could never happen without help. Prior to my Brockport arrival I was composing the largest collaboration project of the year, “Inceptions Reflection”; A Mural project, in San Diego CA, which afforded me no time to prepare for Upstate New York. I arrived exhausted but inspired to be back on campus where I created my very first mural, for OSAD in 1982.
This year I’ve done 5 huge murals 1 in Lima Peru, 1 in Milan Italy, 2 in Washington DC and 1 in San Diego. Most were done with the aid of apprentices who may or may not have had any painting experience and this is where the beautiful struggle begins. How do I successfully engage these students into the project? How do I uncover the attributes of each of these individuals and incorporate them effectively into the murals? Specifically how do I initiate them into my creative process… of “not knowing”, working without a plan, allowing the moment to present itself, seize that energy and use that information as the springboard for creation? This you can’t teach in a classroom it has to be experienced!
Phyllis put students interested in working on this project through a meticulous selection process, Nate Hodges, Matt Yeoman, Carole Parker, Roberta Guilo, Alexis Sammler, Kate Hochbrueckner, Alexandria Mockbee and Sarah Beehler.
All sent me samples of their works and now it was time to establish a relationship with them and begin the process. Upon meeting we all had questions for one another but in regards to the project at hand I had no detailed answers. I had only a faint idea and was eager to hear from the students what they seen or felt as we visited the locations where the murals would be painted. Strangely enough the ideas they were envisioning paralleled some of my earliest concepts on what should be painted on the underpass. It was so genuine listening and learning about each of these personas. Like a dance without a plan I flowed from one student to the next spending time with each of them independently. As our relationships deepened so did our trust and confidence. The Unknown wasn’t filled with fear just inspiration enthusiasm, good vibes and a hunger to create. As I reflect upon a statement one of my students spoke I realize how a purpose driven life is so important. She spoke about wanting to leave her mark on campus as a legacy similar to what her parents did in the past, setting swimming records at SUNY Brockport. And for myself how important it was to return back to campus to create teach and illustrate the path of my unorthodox journey. I thought also about our ancestors and how they too left their mark upon this world, bestowing us with beautiful monuments, spiritual practices and examples of how to live in harmony with nature.
My Brockport Friends from back in the day witness this event as a Full Circle within my life. Me too, its hard to put into words the feeling and experience of this moment in time. I wont forget all those who participated on this project the impression too deep the experience, rich. Energetically I can only hope that the mark that we left upon the Underpass, inside Hartwell Hall and Tuttle is at least an equal exchange for all that I’ have gained throughout my Brockport experience in the past and present.
My heart sings… This accomplishment truly marks a Full Circle and I have many other circles to complete… I have much more work to do!
Thank YOU ALL for enriching US All.
Maxx Moses is Black Lite
Inception was the first title given to the Mural Project, featuring Werc, Isaias Crow, CHORBOOGIE and myself Maxx Moses. I chose this title for a number or reasons, 1st because I really enjoyed the Movie Inception and the concept of dreaming on many different levels and I often describe the abstract nature of painting to have the ability to take our minds into different layers of ourselves with just a glance. My second reason for the title is its meaning, beginning and birth. It reminded me of a project we all worked on years ago titled La Entrada, where we first discovered our collaborative magic. When awarded this opportunity to paint such a huge wall amongst the skyscrapers smack in the middle of downtown, I thought wow this is going to Make Maxx Moses so large! But this idea was short lived when I reevaluated my life’s purpose.
For only 2 months ago I birthed this idea for a new book titled “Bigger Than Me” which focuses upon documenting the exchange of information ideas and inspiration between myself Maxx Moses and those whom I’ve collaborated with. Ranging from Professional Artist to students, Universities, corporate clients and Non Profit organizations. A dialogue if you will, uncovering the nuances of the creative process. Highlighting the struggles and triumphs that have help shape our perceptions and propel us to to continue living purpose driven lives.
We artist are intense beings with a strong sense of individuality and creative vitality which often ensues fantastic beauty and fierce rivalry. “Bigger Than Me” brought me back to my destiny and made me think about collaborating once again. But it presented a real challenge for me and I fought against the idea and thought perhaps I could design it myself, hire some people to fill it in then sign my name to it. Fortunately my inner being, my deeper self was strong enough to recognize that this project was “Bigger Than Me” and had to be completed as a collaboration.
While painting the wall all the glass buildings surrounding us began reflecting back our painting as we too where reflecting on our past accomplishments, experiences, shortcomings and growths. Thus the complete title of the mural is “Inceptions Reflection”.
Over the past two summers I’ve been invited to create art as a Art Educator and muralist an within South Baton Rouge community. This year I had the great opportunity to work along with Legendary Graffiti Artist, Daze, and a great group of students. The first week of our session consisted of tee shirt and sneaker painting, which was a blast. Some students had a clear vision of what they wanted to create while others needed help developing their ideas. Over all it was the great exchange of ideas and spontaneity that made the whole process enjoyable.
The second week was all about mural making and I chose to paint with the students at the Jaguar Lounge, in the hot sun. This time I had no plan no sketch and no idea what I would be painting with them. I wanted to create a challenge the same types of challenges I take myself through when creating intuitively, walking into the unknown and finding the light, eventually. For me it was a like being a director of a movie with no script, telling actors when to perform and often what to say. And although I had that much control over the project the painters still had to interpret and paint what came through them as individuals. It was all give and take build and destroy I would paint and they would splash and splatter paint on top. They were confused at what was taking place and questioned what was happening. In essence they were experiencing the cycle of life all through the practice of painting. It was exhilarating to witness this mass confusion followed by pure joy. Allowing and encouraging accidents to happen and shapes to form uncommon to my typical style I thought to myself how refreshing this is?
Museum of Public Art… Does it Again.
Kevin Harris, of the Museum of Public Art, has a knack for selecting the right artist to create a visual dialogue within the hot and swampy lands of Baton Rouge. The community here is so steeped in character and personality that the artists are steadily laughing and sweating while painting. The people that live in this neighborhood have been here for years, they have many stories to share about these historic locations being painted on and what happen inside… Wow the inside scoop always makes the experience richer and deeper.
The Phenomenal Artist, Sabotaje Al Montaje, from the Canary Islands, paid close attention to the people of South Baton Rouge and actually painted portraits of them. While the legendary, Daze, from New York City, focused on using his personal stylistic cloud elements fused with scenic perspective scenes of Baton Rouge with deep rich hues of blue. Statik, from Chicago painted a brilliant mural portraying a group of beautiful black woman, all adorned with jewelry and to die for hairstyles. His use of color and imagery was so on point for the side of the hair salon that he painted upon. Hunto got busy with his abstract imagery blew all are minds
Maxx Moses, chose a different approach, he expressed that his last two mural projects required a tremendous amount of preliminary sketching, rendering and ultimately projecting his art onto buildings. He Personally wanted to step away from that entire process and be intuitive once again paint freestyle in real time where the energy of the moment is the visual manifestation. “Free-styling for me is an opportunity to re-learn, to get lost within my painting and find my way back out again, to break old patterns and find new ones, to struggle.” Maxx Moses knows that this intuitive style of painting is part of his creative process and that he needs these types of exercise to propel him into the unknown where the spirit of creation lives.